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As part of Experience London, MasterCard is bringing you the best in culture, music, food and art suggestions this winter.

Whether your taste is for the traditional or the ultra-modern, explore the must-visit galleries in the capital.

1. The British Museum

The first national public museum in the world was founded in London in 1753 by Sir Hans Sloane. He granted free admission to all “studious and curious persons” to see his collection of curios from around the world – in all more than 71,000 objects, including prints and drawings. Today the British Museum in Bloomsbury is the holder of the national collection of prints and drawings, with approximately 50,000 drawings and more than two million prints dating from the beginning of the 15th century up to the present day.

2. The National Gallery

The National Gallery was founded in April 1824, when Parliament paid £57,000 for 38 works of art collected by the banker, John Julius Angerstein. They were displayed at Angerstein’s house, number 100 Pall Mall, until a new building was built on Trafalgar Square and opened in 1838. Now the collection has more than 2,300 works, including showstoppers such as van Eyck’s Arnolfini Portrait, Velázquez’s Rokeby Venus, Turner’s Fighting Temeraire and Van Gogh’s Sunflowers. At the moment there is also an exhibition of Francisco de Goya’s portraits, until January. Regarded as one of the last Old Masters and the first of the moderns, Goya’s paintings are technically brilliant - one not to be missed.

3. Tate Britain

In 1897 the Tate opened its doors, displaying a small collection of British artworks; now there are four galleries, with two of them in London: Tate Britain and Tate Modern. At Tate Britain, along with a permanent exhibition of British art from 1500 to the present day, there is an extraordinary and unique show of Frank Auberbach’s work. Regarded as one of our greatest living painters – this exhibition is in celebration of his 84th birthday – around 70 paintings and drawings from throughout his career will be on display until March next year.

4. Tate Modern

The big exhibition on until January at Tate Modern is The World Goes Pop, which celebrates the international context of Pop Art – 160 works from Latin America to the Middle East. Instead of Roy Lichtenstein and Andy Warhol, the exhibition delights in showcasing those left out of the art history narrative, including Ushio Shinohara’s “popped” versions of 19th-century Japanese prints.

5. The Royal Academy

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The current showstopper on the London art circuit is Ai Weiwei at the Royal Academy. The exhibition, which starts in the courtyard of the Academy in Piccadilly with a forest of tree sculptures, showcases his work since 1993 - the year Ai returned to China after 12 years living in New York. Some of his sculptures included in the show are Surveillance Camera and Video Camera, made from marble, along with Straight, which was constructed out of 90 tonnes of steel rods collected from buildings damaged in the 2008 Sichuan earthquake, before being straightened by hand.

6. The Serpentine Gallery

The Serpentine Gallery, a Grade II-listed former tea pavilion, was designed to be a place to show the work of emerging British artists and was opened in May 1970. Its winter exhibitions this year include Michael Craig-Martin at the Serpentine Gallery and Simon Denny at the Serpentine Sackler Gallery (designed by Pritzker Architecture Prize laureate Zaha Hadid). Do pop to the excellent restaurant, Magazine while you’re there.

7. The Barbican

Another modernist building,The Barbican, located in the heart of the City of London, has an excellent gallery (along with cinema and performance spaces; it is Europe’s largest multi-arts venue and conference centre), and is currently showing work by London-based artist Eddie Peake. Peake, who is much loved by the art world, works across the mediums of sculpture, live dance and video installations and sexuality and desire are constant strands of his work (this exhibition features nudity).

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If you're still undecided about wide trousers, shed the fear. Now that culottes have bounced from strange to staple in a strikingly short amount of time, wider-cut trousers are fast becoming the cold-weather stand in.

The success of culottes, happened as Instyle Editor Charlotte Moore explains because, simply, they “are ridiculously easy to wear. All my smart trousers have been replaced by culottes. My current favourites are navy and velvet, from Cos, and work just as well with a sharp white shirt as with a slouchy jumper. You can show off your three quarter length boots in winter and your ankles in summer.”

The logical shift on from these then is the wide leg trouser – which and this is the key point to digest – look best a little shorter – designer Roksanda Ilincic advises for them to be 'high waisted and stop just above the ankle - they are incredibly flattering on most body types.’

While Caren Downie, Brand director of online high street retailer Finery, who’ve bought into the wide legged style with velvet, satin and flannel versions, says that 'the proportions of wide leg trousers tend to accentuate the waist which gives everyone a flattering silhouette. They’re a piece that makes a statement and can transition dramatically into an alternative evening look. They definitely demand more consideration but it’s worth it for the stand out value.”

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The ideal trouser will graze the top of your foot at the longest. Trailing along the floor might look romantic, but not when it’s raining and you’ve taken on half the gutter in your turn-up. A good dry cleaner will be able to lop a little off the length if yours are too long. Having once fallen victim to a stiletto heel getting caught in the back of a flowing wide trouser, and ending up flat on my face in front of a bus, the other key point is that if you are in a heel, make sure it is on the chunky side – think of it as a balance to the width of the trouser. Otherwise a solid trainer (like a Stan Smith or Nike Air Force 1) works well for casual days.

Having too much material swathing about runs the risk of the trousers looking like they’re wearing you rather than the other way around, so opt for darker, more muted colours and subtle prints rather than brash brights.

If you’re splashing out Marni and Sportmax have chic, generously cut navy pairs (for under £300), as well as newish New Yorker Rachel Comey, who Matchesfashion.com’s Suzanne Pendlebury champions for her “ultra-wide silhouettes, which have garnered her a cult following, as she cuts a great wide leg.” M&S, Zara, Topshop and Mango have cheaper alternatives while MiH Jeans have embraced sailor-style with their Nautical Pant, a jaunty no brainer.

Flat fronted pairs will be more forgiving – beware the pleat-front. On top, aim to highlight the waist, so pair with either a short and boxy-cut shirt or jacket, tuck in a loose blouse or put with a fitted longer length knit or tunic top if you’d rather keep your waist area under wraps. Final sell: in the chill, a knee length woollen sock with a midi-boot and wide cut trouser will keep you both warm and chic – there’s nothing worse that having everything scrunched up around your ankle.

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Net-A-Porter’s Collection of Affordable Wedding Dresses Is Pretty Much Stunning

The thing about wedding dresses is that most of them, while works of art in their own rite, are heinously expensive (and, probably something you’ll only wear for about 12 hours, making its cost per wear particularly cringeworthy). But more budget-friendly options tend to lack the details that make the dress so special in the first place.

Net-A-Porter is trying to change all that with its first bridal collaboration with contemporary British label Needle & Thread. The collection ranges from just over $200 for flirty separates to just under $1,700 for intricate, hand-beaded wedding dresses.

“Versatility and wearability are really important when buying investment pieces,” Net-A-Porter senior buyer Holly Russell says.

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“A wedding dress is often one of the biggest shopping purchases a customer will make in a year, if not in her lifetime, so why shouldn’t these considerations apply?” We couldn’t agree more.

To that end, the collaboration, with an interchangeable mix of tops and skirts (as well as gowns), is remarkably savvy, with looks ranging from minimal to embellished Art Deco-inspired.

Despite the moderate price point, each of the pieces has plenty of detailing, from a floor-sweeping tulle skirt embroidered with crystals ($898) to a hand-embellished chiffon gown ($1,697).

The collection is a little romantic and a little irreverent, something that Needle & Thread founder Hannah Coffin took with her from her days as design director at AllSaints.

It was important to Russell to have a collection that would not only look flawless on a bride’s big day, but something that could be absorbed into her daily wardrobe post-wedding bells, making separates a key player in the collection.

The skirts, she says, could be paired with a simple cashmere sweater, and the embellished tops would be perfect for a night on the town when paired with leather pants and a killer heel.

“Women today are creative, practical, and are breaking the often-outdated rules of fashion,” Russell adds.

“She’s looking to invest in something that feels and looks like it’s one of a kind—and yet is able to be styled down so she can wear it again. Why shouldn’t she be able to?”

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The stylish ladies of Instagram might just have the answer to our wintry wardrobe woes: the snazzy ankle boot.

Pre-Christmas embellished flats and glitzy pumps offset 80 per cent of our outfits. January hit, however, and we resorted back to our failsafe black ankle boots. They might pair well with everything, but they do little to boost our mood.

Look then to the following Instagram stars from Copenhagen, Milan, London and New York, who are proudly brandishing booties with real personality. Here’s how to wear them…

Keep everything else pared down

Let those boots take centre stage by sticking to block black and navy tones elsewhere, like Pandora Sykes. A leather jacket with prominent hardware or stacking jewellery will soften the look, while matching your bag to your boots will also make the colour pop.

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Let your socks show

Leaving a gap between one’s ankle boot and trouser quickly became one of last year’s micro street style trends. Advocates of this look can let their socks show for an added point of interest, as demonstrated by Danish blogger Pernille Teisbaek.

Follow your animal instinct

We’re suckers for a leopard print boot, just like Milanese blogger Tamu McPherson. Add to your weekend denim uniform to give it a real kick. Don’t worry that it tips the rest of your outfit’s colour scheme off kilter, the look is supposed to be eclectic and fun.

Play with proportions

An oversized knit, midi skirt and ankle boots are currently the go-to uniform of many fashion editors. A chunky woolen jumper keeps you warm enough to embrace a bare leg, and no one need know how thick your socks are inside your booties. Try mixing metallics and greys, like Charlotte Groeneveld.

Embrace happy heels first

Contrasting block heels are a good entry point to this trend, and are a solid investment buy. Wear with anything for a sensible-at-the-front-but-party-at-the-back vibe.

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In the middle of Burberry's London fashion show, a model showed her palms to photographers, displaying a name written in big black capital letters: "Bowie".

To the sound of the late singer's hits, the British label's CEO and creative director Christopher Bailey welcomed the few hundred people invited to the unveiling of Burberry's new menswear collection as London Men's Fashion Week drew to a close.

"He's a complete legend. We will all miss his creativity, his style and the elegant way that he approached everything," said Bailey, who was born in 1971, the year Bowie released seminal song Life on Mars.

"I grew up with him. He's kind of been an undercoat to my creative life forever," he told reporters in the city where Bowie grew up.

A brilliant and visionary musician, David Bowie experimented with a kaleidoscope of images and styles as a counterpoint to his musical adventures.

One of his best-known hits is named Fashion.

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Dubbed the "King of Style" by some fashionistas, he had recently worked with British designer Paul Smith on the artwork for his latest album, Blackstar.

"A lot of people are considered celebrities today when they have only experienced popularity for one or two years, but he was exposed to the public for about 46 years, and so his talent was very very clear, very impressive," Smith said.

For Men's Fashion Week the designer recreated his first shop replete with items that influenced him - including many nods to the singer, such as a book of Bowie photos.

Tributes from sartorial tastemakers flowed from beyond London.

For French designer Jean Paul Gaultier, whose avant-garde work includes designs influenced by Bowie, the musician was an "absolute rock star" and a "cult" in his own right.

"Personally, he inspired me with his creativity, his extravagance, his sense of reinvention, his allure, his elegance and playfulness with genre," he added.

The flashy makeup and striking red mullet of "Ziggy Stardust"-era Bowie inspired Gaultier's 2011 ready-to-wear spring-summer collection.

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Busty Vicky Pattison flashes her bra in sexy sheer maxi-dress as Jasmin Walia rocks tiny leather hot pants for reality star-studded night out

It was a meeting of reality minds.

And Vicky Pattison and Jasmin Walia led the all-star night out as the girls headed to popular eatery Sheesh in Essex before hitting Gallery club in Maidstone on Saturday night with a host of Ex On The Beach stars.

The 28-year-old former Geordie Shore star made sure all eyes were on her as she rocked a racy maxi-dress with a sheer top while Jasmin, 25, went hell for leather in barely-there shorts.

Vicky's raunchy, teal look initially appeared demure due to its full length and sweeping train yet in her typical fashion she ensured she flashed the flesh.

The top of the spaghetti strap gown was draped and entirely sheer, under which she supported her surgically enhanced chest with a lace bra.

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Her bra was made of a delicate black lace with a this strap and another strand cupping her chest - making for a super-sexy addition to the look.

Although the gown was stunning, the veneer of the look was tarnished slightly as the train of her gown was dragged through the wet pavement and appeared to have dirtied the hem.

She added a gold Yves Saint Laurent clutch bag to the look while seemingly sporting teetering heels beneath her gown.

The pretty star wore her bouncy brunette locks in her favoured polished waves and despite recently shearing her hair shorter, she seemed to have regressed to her beloved extensions.

Her make-up was typically heavy-handed yet expertly applied with a smokey eye, lashings of bronzer and a dab of lip-gloss.

Jasmin, who was joined by her Ex On The Beach star boyfriend Ross Worswick, was flaunting her incredible legs in a pair of minuscule leather shorts while rocking a lace polo-neck.

Her lustrous raven locks were styled into a bouncy style while her make-up was kept relatively natural.

She added height to her diminutive frame with a pair of sky-high ankle boots as she also toted the same Yves Saint Laurent clutch bag as Vicky although her's was in black.

The pair happily posed up a storm together without a hint of potential awkwardness which could result from Vicky's dalliance with Ross.

The Newcastle-native famously became intimate with the handsome model during her initial stint on the first season of the MTV dating show in 2014, before Jasmin began dating him soon after.

Joining the girls for dinner was Vicky's I'm A Celebrity... Get Me Out Of Here co-star Ferne McCann as captured in an Instagram post although she appeared to give the club a miss.

While Jasmin is of TOWIE and Desi Rascals fame and Vicky of Geordie Shore, Judge Geordie, Ex On The Beach and I'm A Celebrity, the rest of the group were all Ex On The Beach graduates including Rogan O'Connor and Joss Mooney.

As well as Ross, Vicky also shared a romance with Joss, who appeared on ITV show Life On Marbs, yet the dalliance ended less than amicably after she slammed him to New! magazine.

In an Instagram post she wrote: 'Even though he claimed he gave me the best two minutes of my life! Whatever, mate!'

She later told New!: 'He's been quite vicious and derogatory about our friendship and the time we've spent together. He said I'm a nightmare, a horrible drunk, talked about our sex life.'

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Anything you can do...! GMB's Susanna Reid attempts to plank in a fitted dress after co-host Piers Morgan fails at the challenge

She may have thought she'd got away lightly after superfit Kym Marsh challenged Good Morning Britain's Piers Morgan to a plank-off.

But Susanna Reid similarly assumed the plank position on Thursday morning, despite being at the disadvantage of wearing a sophisticated floral dress.

Following Piers' disappointing performance, the 45-year-old got down on her elbows and tip toes to challenge co-host Sean Fletcher, 41, to prove a point.

Susanna proved to have abs of steal, showing off her slender form in the figure-hugging knee-length work dress.

Conveniently, barefooted Susanna had her hair pulled back into a practical high ponytail and appeared to have something of a Sporty Spice image about her.

Though sadly the stunning breakfast presenter crumbled before the sports correspondent and even tried to taunt him a little as she rested on her left elbow.

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Susanna had managed three minutes and 11 seconds but Sean achieved five minutes and nine seconds.

The presenters took part in Plank Off as part of the Eat More Lose More feature that is being fronted by Kym, who has already sadly been beaten by Sean and Richard Arnold at her own game.

Susanna took an impressive fourth place slot, above Piers but when she stood upright, the brunette seemed to rub her back as if she'd aggravated one of her ailments with the sporting challenge.

Susanna seemed pretty pleased with herself afterwords and stood up to give Sean a high five for their efforts.

On Wednesday's show, new addition Piers proved her had a weaker core than Coronation Street's Kym, whose transformed her shape for the better with her PowerSculpt fitness DVD workout.

Game for a laugh, Susanna also featured in a segment with First Dates' Maître d' Fred Sirieix later in the show.

He took the opportunity to invite the mother-of-three, who split with her boyfriend Dominic Cotton in November 2014.

She refused, saying: 'Can I just point out, there is enough love in my life!' making the suggestion that she had someone special in her life

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At the end of 2014, I was feeling pretty disgusted with myself. I had been keeping a running list of all the clothes, shoes and accessories I'd bought over the course of the year, and was shocked both by the number of things I'd acquired — 82, well above the national average— and the amount I'd spent, which certainly surpassed the budget I'd set for myself and the paltry amount I'd added to my savings account. Worst of all, I didn't feel like my wardrobe was any better, or that I was any better dressed, for all the time and money I'd poured into it.

Rather, I'd picked up piles of (often ill-fitting) basics from J.Crew and Everlane, inexpensive sneakers and boots from Tretorn and Zara, fashion-y but impractical coats from Topshop and the sales rack at Opening Ceremony, occasion dresses I'd worn once or twice, more sweaters and scarves than there were days of the week and stacks of cheap costume jewelry. Few were the pieces that cost more than $150, and those — a pair of Chloé ballet flats, navy Ferragamo heels and tweed Lanvin pumps I haven't worn to this day — weren't carefully considered purchases, but designer pieces I impulse-bought during end-of-year sales. The only things I was truly happy with were a Mansur Gavriel bucket bag, which I ordered wholesale and have carried almost every day since, and a sleeveless Rachel Comey coat — my most expensive purchase of the year, and the one I'd spent the most time considering before I acquired it.

Long before I tallied up my purchases, I knew that my shopping impulses were trumping my reason. In college, I worked 20 hours a week just to fund my Ebay habit for Marc Jacobs shoes and vintage costume jewelry. But the frenzied behavior really started when I left my business reporting job to become co-editor, and then editor, of this site. For the first time since my Condé Nast internship in college, I was around people who cared about fashion, and dedicated a lot of thought to cultivating a personal style. All of my basics seemed, well, basic.

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I didn't really know what to buy, so I bought everything (usually on sale) that appealed to me. Instead of reading, I spent hours upon hours browsing for clothes online each night. I desperately wanted a "uniform" so that I could stop thinking about clothes and go back to thinking about more important things (work, books, people), and over the course of 2014, I tried several. I'd be happy with a uniform for a few months — buying a pair of pants or a certain cut of blouse in multiple colors — and then the weather would change, or I'd catch myself in a mirror looking dumpy, and I'd start all over. I dreaded getting dressed for Fashion Week and industry dinners.

And so I decided that I'd undergo a little shopping experiment in 2015, and limit myself to just 15 things — one a month, instead of 1.5 things a week, and three extras for special occasions. "Things" included clothes, shoes and fashion accessories like belts, handbags and gloves; it did not include workout clothes, pajamas, underwear or anything I could buy 100 percent with a gift card or store credit I'd accrued the year before. In the week leading up to the new year, I bought three T-shirts from Everlane and two pairs of tights from Uniqlo; some would call this cheating, but I'd say I was enabling myself to succeed.

Almost from day one, I had a difficult time not shopping. Because I couldn't buy clothes, I fueled my acquisitive energies into other areas: I saw a dermatologist, and overhauled my skin care regime; stocked up on makeup essentials; and bought new furniture and decorative pillows for my apartment. I browsed retailers' websites obsessively, debating what my first choice would be. At the end of January, I settled on an unusually cut short-sleeve button-down from indie label Apiece Apart — still one of my favorite pieces.

Eventually, it got easier. I read Marie Kondo's "The Life-Changing Magic of Tidying Up," and said good-bye to everything that didn't "bring me joy" — about 70 percent of my clothes, half of my shoes, all but three of my scarves and a dozen trash bags' worth of other stuff. Her approach — acquiring, and keeping, only the things that bring joy — helped me set a bar for my own purchases. Suddenly, I found it easier to buy less. I wanted less, and I took better care of the fewer things I had — hemming a coat that had never been quite the right length, resoling my shoes, cleaning the two pairs of white sneakers I'd kept. During my biannual trip to Topshop at London Fashion Week in February, I found several pieces that I liked but didn't quite fit right (things, in other words, that I would have quickly purchased a year ago), and walked out empty-handed. It felt great.

Because I was purchasing far fewer things, and no longer putting a dollar cap on what I did purchase, I spent more on individual items. I bought my first Marni skirt — midi-length, with a brushwork print — and over the course of the year, two more. For the first time, I spent real money on shoes, and saw how they could transform a simple outfit. And slowly, a uniform started to emerge. Most days, I wear a printed midi skirt and a crew neck sweater (or, if it's warm, a T-shirt) in navy or grey; an Apple Watch but no jewelry; and a pair of sandals, loafers or low-heeled ankle boots, depending on the weather. I no longer panic in the mornings because I have nothing to wear, and I'm no longer tempted by, say, printed tops or statement necklaces because I know I won't wear them. For most of a year now, I've been really happy with my clothes — a novel feeling.

Still, I've had my moments. By the beginning of September, I had purchased 10 of my allotted 15 items, right on schedule. And then — blame it on all the new fall merchandise, or Fashion Month, or the strong dollar in Europe, or the arrival of my tax return — I went nuts, persuading myself I'd learned enough from my experiment and no longer needed to stick to my 15-item limit. By the end of October, my tally had gone up to 23. For the most part, I'm not dissatisfied with the things I bought, though I certainly regret a pair of flashy, star-printed silver Stella McCartney platform sneakers and a knockoff Miu Miu coat I bought at Topshop, which I've never even worn.

Since then, I haven't bought a thing; not out of compunction, but because I haven't wanted to. And though there's a few things I'd like to own, I'm not really tempted to buy them. That's partly because I'm happy with what I already own, partly because I'm going freelance this year and won't need as many outfits (or have as much cash to spend on them), and partly because I no longer feel like clothes give me such a great return on my money. I'd much rather spend $500 on a plane ticket, or a bunch of yoga and SoulCycle classes, than on clearance Prada jacket. For years, the media has been talking about how consumers are eschewing clothing for experiences, and I'm finally starting to understand why.

All in all, I reduced my acquisitions by almost 75 percent this year, and decreased my total spending by more than a quarter. Even better, I managed to put twice as much in my savings account as I spent on clothes. And most importantly, I now feel in control.

I'm not setting a clothing budget or an item limit for myself in 2016, because I don't really need to. Yes, I will still buy clothes — a pair of Mansur Gavriel black suede sandals and light-wash boyfriend jeans are high on my list this year — but I'll be careful to make sure that they're items that will really add to my wardrobe, and that I'll get a lot of daily wear out of. I know now that the best way to avoid regrettable impulse purchases is to wait a month to see if I still want it, and that instead of aiming to buy one thing a month, I should plan on buying two or three things at the times of year I most want them: April and September. By the end of next year, I hope to have 10 to 12 new things I really treasure – and no more.

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'I'm a lucky man' Johnny Depp thanks Amber Heard as she stuns in sexy lace gown

The duo epitomised Hollywood glamour as they arrived on the red carpet before 52-year-old Depp accepted the Desert Palm Achievement Award.

Amber looked fabulous in a transparent, floor-length Dolce & Gabbana gown, which she accessorised with a chunky gold bracelet.

The actress preserved her modesty with a nude slip as the dress fanned out around her feet in a small train.

Meanwhile Johnny looked dapper in a smart, black tuxedo complete with a bow tie and white pocket handkerchief.

The Black Mass actor made sure to mention his wife as he accepted his award at the festival: "I also have to thank my wife Amber for putting up with me, for living with all these characters, which can't be easy. It's hard for me - it's got to be hard for her."

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He also respectfully acknowledged Warner Bros. executives who supported him "so bravely and didn't complain about the prosthetics" he used for his work as Whitey Bulger.

Speaking about their marriage last year, Johnny told E! Online: "We connect on a lot of levels but the first things that really got me was she's an aficionado of the blues. I would play a song, some old obscure blues song, and she knew what it was."

He added: "She's very, very literate. She's a voracious reader as I have been, so we connected on that as well and she's kind of brilliant and beautiful. I'm a lucky man."

Also in attendance was Kate Winslet who starred alongside Johnny in Finding Neverland in 2004.

The co-stars enjoyed a reunion as they affectionately embraced and joked with one another on the red carpet.

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It's time to get back in your little black dress for your New Year's Eve party

The Little Black dress has come a long way. The phrase was coined by Coco Chanel in the 1920s when she deemed it as “the must-have garment of the century”.

And boy was she right! Her “must-have LBD” was simple, fitted and calf-length.

It flattered almost every woman’s figure. When I say flattered, I mean it made them look slimmer. This in turn made them feel good about themselves, builded their confidence and as a result empowered them.

For these reasons, it wasn’t long before nearly every woman in the world had a “must-have” in their possession which saw the light everytime an important occasion arised.

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Before Coco, black was the colour of mourning. It was associated with grief, sadness and refinement.

Not anymore. From then on the LBD was to become the ultimate fail-safe party dress. It is a classic. It has never been and never will go out of fashion.

You can dress it up, dress it down. Wear it to work or work it on the dancefloor. And ALL of our fashion icons at one stage or another have LBDed it.

Audrey, Grace, Marilyn, Cara, Alexa, Olivia...you name them, they’ve worn one. I mean, have you ever seen a black dress appear in a “worst-dressed list”? I haven’t.

Have you ever seen anyone at a New Year's Eve party fixing, fidgeting or sitting awkwardly in a LBD? I haven’t.

No, they are too busy looking and feeling fabulous.

Thankfully, the LBD is back. However, it has come a long way from Coco’s ideal.

It has evolved. It no longer falls in the “play-it-safe option. LBDs are daring. They are a fashion statement.

Whether it is capes, fringing, leather or lace... get the right one and it, and you, will be the ones standing out from all the rest on the night.

Whatever you decide just make sure you make like AC/DC and get Back in your Little Black Dress this Thursday night.

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