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How to use jack vettriano prints color oil painting ” Mixing ” is the medium of oil painting drawn mainly used to dilute the oil paint used in the painting process , increase the gloss color , the color also has a drying speed control role , but also to take advantage of their mobility to achieve the desired effect of painting . There are an ordinary drying speed color oil , there are also fast drying quick-drying oil , you want to have the color of dry slowly , such as linseed oil , according to the different performance techniques to use.
Painting is its slow drying characteristics , if you are used to draw gouache or acrylic painting , initially can not stand this feature , I feel this is its weakness , but in the beginning of the painting invention , but it is slow drying advantages of painting , it gives the artist more time to operate , while allowing the artist to have paved the color layer again and processing operations , such as taking advantage of the wet pick -color painting is a big advantage .
If you do not pick the color can also take advantage of the wet bottom , such as the color dry before covering new color layer . This painting is by the order to create a deep rich color layer effect, if you just do not pursue picturesque gouache or acrylic quick drying it.
by Jack Vettriano Game On Prints
On the use of color oil painting which is a storm beginner stage , it can be said that accompanied the beginning of a long-term lessons to learn , you do not expect to see a recipe online can solve all the problems , and if so studious Chinese oil paintings on canvas will not today the same again. Only the best for beginners to color with linseed oil and turpentine , when the color to be very sparingly used cooking oil , gouache water must not be so generous as painting , oil painting before unfamiliar material properties do not easily try a variety of recipes , such as now triple oil market to sell , do not recommend using it only encourage develop the wrong habits.In addition , domestic slow drying paint pigment quality problems also have their own domestic pigment high oil content , which is very unfavorable when painting , for example, titanium dioxide pigments Western painting is a very strong quick-drying color cover good morning painted titanium dioxide should be substantially dry afternoon , the next day you can cover , while the domestic titanium dioxide is also a dry one week can not , such a ratio than the differences , and so fat pigments but also add to reconcile agent, that you can only destroy his own paintings.
If you are not willing to buy imported pigments , pigment is recommended before using domestic squeeze the pigment in the newspaper , to spend a few days time to suck out excess oil . Oil content of the painting color layer to the bottom as little as possible , you can add more turpentine and linseed oil in less reconcile agent , then with the rise of color layers to gradually reduce the content of turpentine . When the oil painting should gradually drawing speed and rhythm exercises suitable for painting was drying rate , if you do not like to take a wet pick the color , the underlying color unfinished generally need to wait twelve days to a week and then start the next color layer .
1. The open space: If space is more open, as appears to coordinate, you can decorate the more imposing landscape paintings, or feng shui landscape. Coupled with a sense of brilliant lighting, guests will have an immersive.
2. The narrow space: If space is narrow, you can choose the appropriate size of the painting, landscape painting hanging in general slightly a very artistic effect can also play the windows. Like the kitchen or stair platforms.
3. The sight of the first placement is the best placeThe first placement into the house of the discharge line of sight is the most painted places, so you do not feel at home on the wall is empty, the line of sight is not good, but also produce freshness. In particular landscape, with a kind of straight into the eyes of feeling.
4. Select the appropriate size of the paintings (such as Jack Vettriano The Singing Butler)Buy a painting we often ask ourselves how much we want to buy the painting it? In fact, the size of the painting is very luxurious. Different painting might want different sizes. Be careful not to buy paintings buy paintings larger than the furniture, such as sofas, can not be longer than the sofa. However, if an individual paintings or patron Fig office desk will have to choose larger than painting to display their momentum and meaning.
5. The color choices are tabooPaintings not only can be placed behind a sofa in the living room, after the TV on the wall, in the bedroom, but also can be placed in the kitchen, balcony, villa outside walls. But it is worth noting that, in the place you want to be different colors according to the space. Generally the whole modern style of interior decoration in white, at the time with paintings mostly red and yellow tone. Do not choose passive, lifeless paintings, try to choose a bright, lively colors in the living room, if interior color is very stable, such as walnut color, you can choose the Advanced gray, partial artistic paintings. Different families choose a different frame scene paintings. Best selection and the surrounding environment, light, furniture with the right mix of frame. It is necessary you can also use the box frame, adding to its momentum and beautiful.
1. Check the canvas. Formal canvas texture can not mess times. The painting against the light to see, can not appear light leakage. Otherwise prone to corrosion and weathering.
by jack vettriano prints
2. The bottom figure and landscape paintings on the varnished different.
3. The wooden frame is better, the overall look you want to nail the box was standardized.
4. Old oil painting on canvas or less have weathered signs of fraying, imitation of painting difficult to achieve.
A painting in direct sunlight to avoid long-term, because of the color of the devastating UV can cause fading and discoloration;
2, put the painting hanging house needs attention to ventilation and moisture, as far as possible away from the bathroom, kitchen farther, pay attention to prevent dust, soot and damage caused by mold on canvas, should be maintained at a certain temperature and humidity of the room;
3, damp paintings must be dry slowly, avoid exposure, otherwise the screen is easy to fall off;
4, avoid painting the picture on the two stickers, once the temperatures rise, adhesions may cause the screen, so that the paint off, the picture is damaged;
5, long-term release of oil paintings hanging surface will be stained with dirt, you can gently wipe clean with a slightly damp cloth; if there are fumes above, you can use the light a little soap and water and gently try to scrub, then quickly take something absorbent water dry on the screen, then let fans blowing the water;
6. If you encounter a year long, there are cracks in the painting, must be less water, local dry rub can; general painting can save two or three hundred years, over time, some paintings may appear decades after the turtle crack, so if your collection a lot, those who do not hang the works, you can use plastic sheeting wrapped in wooden box.
7, when the volume painting, oil painting sure to roll out to the crude barrel rolled into a thigh-shaped appropriate.
8, painting very sensitive flawed, beware of being punctured some similar items like sticks. If you do not accidentally touch a minor mishap can be warm leveled painting surface.
(1) by King lyric
Landscape is the depiction of natural scenery by creative forms to express the feelings of the author. Natural scenery is an objective reality, thoughts and feelings are subjective understanding, landscape painting is the objective world and the subjective world of love scene unified product of the combination. As Qing Yun Shou Ping "Ou Hong museum painting Postscript" mentioned in the "Spring Hill, such as laughing, Summerhill, such as anger, Akiyama such as makeup, Dongshan such as sleep" demeanor of these seasons, facial expressions, are "day" and "people" fusion reunification is one of the natural, designed to depict the scene by virtue of the objective, subjective emotional sustenance. Scenery is to "always focussed meaning", "edge always focussed." Italy sinks with King, King and emotion through, the scenes in order to produce the "mood" and "mood" is the landscape of the soul.
(2) Write-shaped vivid
"Form" means an entity that can be visual appearance and tactile perception of the scene. "God" refers to the properties and characteristics of the inner spirit of aesthetic objects external situation like demeanor, as well as the creation of artistic images when injected subjective thoughts and feelings. "Animism" nature of air, water, plants and trees, both its shape, but also their God, there is no form of atheism, nor the invisible God, the abstract "God" is shaped by the specific show expression, shape, and God is the dialectical unity. From the Eastern Jin Gu proposed "to write to God" to the Northern and Southern Fan Zhen proposed "shape memory is God, to shape thank you God destroy," stressed the unity of form and spirit. "Vivid" is the creation of the highest standards of Chinese art, but also a basic rule of Landscape Painting.
(1) by King lyric
Landscape is the depiction of natural scenery by creative forms to express the feelings of the author. Natural scenery is an objective reality, thoughts and feelings are subjective understanding, landscape painting is the objective world and the subjective world of love scene unified product of the combination. As Qing Yun Shou Ping "Ou Hong museum painting Postscript" mentioned in the "Spring Hill, such as laughing, Summerhill, such as anger, Akiyama such as makeup, Dongshan such as sleep" demeanor of these seasons, facial expressions, are "day" and "people" fusion reunification is one of the natural, designed to depict the scene by virtue of the objective, subjective emotional sustenance. Scenery is to "always focussed meaning", "edge always focussed." Italy sinks with King, King and emotion through, the scenes in order to produce the "mood" and "mood" is the landscape of the soul.
by jack vettriano prints
(2) Write-shaped vivid
"Form" means an entity that can be visual appearance and tactile perception of the scene. "God" refers to the properties and characteristics of the inner spirit of aesthetic objects external situation like demeanor, as well as the creation of artistic images when injected subjective thoughts and feelings. "Animism" nature of air, water, plants and trees, both its shape, but also their God, there is no form of atheism, nor the invisible God, the abstract "God" is shaped by the specific show expression, shape, and God is the dialectical unity. From the Eastern Jin Gu proposed "to write to God" to the Northern and Southern Fan Zhen proposed "shape memory is God, to shape thank you God destroy," stressed the unity of form and spirit. "Vivid" is the creation of the highest standards of Chinese art, but also a basic rule of Landscape Painting.
Painting to protect what skills , painting collections jack vettriano prints of scientific management and protection technology, is an emerging science and technology. Although the painting to save a long time, and not easily broken , but in the collection process also requires maintenance , if there is no reasonable maintenance measures , may be subject to accidental damage. In the process of collection of paintings painting techniques to protect what is it?
One, two layers can be coated with a thin pre-dissolved in turpentine natural beeswax in the back of the canvas , can completely prevent moist air caused by immersion of the canvas Jack Vettriano Game On PrintsDamage.
Second, the storage house painting attention to ventilation and moisture as possible from the bathroom , kitchen farther , pay attention to prevent damage to the dust, fumes caused to the canvas , should maintain a certain temperature and humidity in the room. Wet paint must be dried slowly , avoid exposure, otherwise the screen easily.
Third, avoid painting the picture on the two stickers . Avoid temperatures make the picture adhesions , resulting paint off, screen damage.
Fourth, the general painting can save three hundred years , but over time , some cracks in the painting may occur after several decades . If the collection is more, you can put on canvas with plastic wrap, placed in wooden boxes to prevent bruising .
Fifth, when the volume to make the canvas painting inwards , outwards screen , roll out a layer of paper tube , then use plastic sheeting wrapped to prevent paint cracking .
Six paintings direct sunlight to avoid long-term , because of the color of the devastating UV can cause fading and discoloration.
Seven paintings hanging on the wall if the dust off , you can gently wipe clean with a damp cloth . If the oil above a smoke , you can use light to try a little soap and water scrub gently , then quickly take a sponge sucking up the water on the screen , then let fans blow painting surface. If you encounter long years , have cracked oil paintings , must be less water , local dry rub can. If the varnish is a professional painting and maintenance, before spray varnish, use a clean cloth to wipe the screen clean.
Painting is the predecessor of the 15th century European painting before the Mona Lisa's smile egg tempera , after Netherlandish painter Jan van Eyck (Jan Van Eyck), (1385年-1441 years ) of painting materials after be improved flourish. Posterity because of the unique contribution of Jan van Eyck to develop in depth jack vettriano prints made oil painting techniques , its reputation as the "father of oil painting ." Modern paintings and more to reconcile with linseed oil paint on wood treated cloth or paint , because oil paint dry does not change color , does not become dirty reconcile a variety of colors , the artist can draw a rich, vivid colors. Opaque oil paint , strong coverage , so you can from dark to light , layer by layer coverage when painting, so to produce three-dimensional painting .
The history of Western painting painting gradually become the main way of painting , surviving Western Jack Vettriano Game On Prints works are mainly oil paintings . With the development of painting time gradually to life, of which the most famous is the " Mona Lisa ," the performance of an ordinary woman and widely circulated. Late 19th century, due to technological development, many new materials used in the field of painting , such as acrylic paint , paint, etc.
Calligraphy and painting jack vettriano prints beautiful performance , nothing more than "real " and "virtual" in two ways. "Real" aspect is tangible . It includes a pen , structure , composition , etc. ; aspects of "virtual" is intangible, including the look , the spirit , mood and so on. Two interdependent with each other to jointly exhibit the aesthetic value of calligraphy .
Pen , structure and organization of writing , are visible form. Pen there late acute and downs, twists and turns of the points, there is a positive side stroke , concealment and revelation of the other, well- strokes a round shape , but also emphasizes the force and pen gestures ; structure is surprising , density , and other legal and illegal ; tricks there are guest and host , the actual situation , avoid it , Qimai coherent and ranks in the form of other performance methods. Only difference between the three and complement each other.
Look , the spirit , mood, are Jack Vettriano The Singing Butler, his performance must be visible through the pen , structure and tricks . Look is the soul of the art of calligraphy , ancient comments calligraphy, long " look is on the form of quality , followed by " argument , but pointed out that " the rules both lost , God no deposit ." Only the United States look to the United States through the form of quality manifested . Life artistically is the art of calligraphy is shaped bridge between God , is the expression of love of the medium . Calligrapher skilled master skills, luck was on without end , a gas line pen , Qimai similarities between stipple , artistically and look was manifested . Mood is also the inner beauty of calligraphy , including the meaning of mood, tone, style , character and so on. He and vivid, artistically compared to more emphasis on the performance of the subjective spirit , calligraphy higher level of aesthetic content . Calligraphy artistic beauty can be read between the lines of works by feeling indeed to .
Calligraphy tasting is a complex psychological process , he and calligraphy want to take anti-party movement . Calligraphy is a stipple with a word . Group of words from articles , which shows look realm works ; while tasting the first visual impression of calligraphy is often produced as a vivid, artistically , and then examine its tricks , analyze its junction word , pen, there are books for the intention , but think of all sorts of things in life , the author's creative environment and ideological activities to appreciate the beauty of the work lies . Therefore , calligraphy tasting process is the viewer's " America 's re-creation " process.
Light , air and heat can accelerate the painting dry. Painter can do is best not to interfere with the natural drying process the fat . There are many paintings of the jack vettriano prints uk sun drying and destruction into the story . It is said that after Van Eyck was such a misfortune, has been seeking a new material , so the invention of oil painting , but that's another story , Aibonaier has proven fat in direct sunlight to reduce the volume of degree of 20% of linseed oil , poppy oil is almost 100% , and thus the crack is unavoidable . Moreover , painted in the sun drying , the base will shrink , frame, canvas and drawing board , will also shrink . So even completely dry painting should not be put in the sunlight . Frozen also make new paint color cracks. A drying surface fat , they begin to turn yellow, so in order to try to prevent yellowing , painting must be placed in a bright place , until it is completely dry. The screen is placed against the wall , it is common practice to this approach will inevitably lead to yellowing.
Drying performance painting Jack Vettriano Game On color and color liquid colorants and due to the different affected differently . Lead, ocher and white dried very quickly , and cinnabar and madder red drying very slowly. Saponification white lead caused by oil , will reduce the opaque pigment covering power , but it increases firmness .
Paintings in oil paint , as part of the contraction , saponification and yellow, a slight change quickly , so-called painting becomes soft, it enhances the unity and harmony of tone painting . Then after some time, began painting brown , showing a well-known art galleries tones. I am reminded of an argument a painter friend , he said painting to dry thoroughly need 60-80 years , this argument has been confirmed recently in Munich Academy of Sciences Institute of experiments . Ostwald (Ostwald) in order to avoid adverse effects of aging of oil , suggestions , which uses the base oil absorption , after absorption of most of the oil base , and then coated with a resin varnish in place of the absorbed oil. But this must not prevent oil ills of aging , increase the binding agent ( oil ) number , not only optically harmful painting , and is not conducive to the preservation of oil painting . Results of various shades will lose the characteristics of light canvas line will rapidly due to oxidation of the oil decadent .
A very annoying phenomenon of modern painting is often painted black , which is the effect of the painting , because the yellowing produce more harmful than the golden hue . This phenomenon is mainly due to the black fragrant essential oils and lipids with a solvent properties ( such as copaiba balsam ) caused by excessive use ; also due to oil painting rendering technology is not refined due. E.g. , using an excess of a transparent color, or excessive binding agent, or a complementary color mixing due to offset each other . The so-called " shuffling " color , the color is too complex to deploy . Also particularly vulnerable to black.
