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The Morrigan (also known as the Morrigu) was the shape-shifting Celtic Goddess of War, Fate and Death. She also presided over rivers, lakes and fresh water, in addition to being the patroness of revenge, night, magic, prophecy, priestesses and witches. Her name is interpreted in various forms..."Great Queen," "Phantom Queen" or "Queen of Demons." She was said to hover over battlefields in the form of a raven or hooded crow and frequently foretold or influenced the outcome of the fray. The Morrigan was often depicted as a triune goddess whose other aspects were manifested in the Goddess Badb (meaning "Vulture" or "Venomous") and the Goddess Nemain (meaning "Frenzy" or "Fury"). The Morrigan was one of the Tuatha De Danaan ("People of the Goddess Danu") and she aided in the defeat of the Firbolgs at the First Battle of Magh Tuireadh and the Fomorii at the Second Battle of Mag Tured. The Celts believed that, as they engaged in warfare, the Morrigan flew shrieking overhead in the form of a raven or carrion crow, summoning a host of slain soldiers to a macabre spectral bane. When the battle had ended, the warriors would leave the field until dawn in order that the Morrigan could claim the trophies of heads, euphemistically known as "the Morrigan's acorn crop." The origins of the Morrigan appear to be directly linked to the megalithic Cult of the Mothers, who usually appeared as triple goddesses. Her role in Celtic legend is similar to that of the Valkyries in Norse folklore in that both used magic to cast fetters on warriors and made the decision regarding who would live and who would die. The Morrigan is also closely associated with horse symbolism and may, on occasion, have been linked with the equine Goddess, Epona. Another guise of the Morrigan is that of the "Washer at the Ford," who could usually be found washing the clothes of men about to die in battle. In effect, she is thus choosing those whose lives will be lost in the upcoming conflict. An old English poem entitled "Exodus" also refers to ravens (as previously mentioned, one of the Morrigan's other chosen manifestations) as choosers of the slain. In one legend concerning the Morrigan, she appears to the hero Cuchulainn (son of the God Lugh) and offers her love to him. When he fails to recognize her and rejects her, the Morrigan is deeply wounded and informs Cuchulainn that she will hinder him while he is in battle. When Cuchulainn finally perishes, she settles on his shoulder in the form of a crow...the hero's misfortune being that he never realized the feminine power of sovereignty that the Morrigan offered to him. Once Goddess of Strife and Fertility, as well as Battle, modern Pagans view the role of the Morrigan in a somewhat different light from that of the Ancient Celts, but she remains an appropriate deity for strong and independent individuals. Many followers of the Morrigan erect a permanent shrine in her honor, using such items as bowls of brine and blood, the feather of a crow or raven, or even a piece of red cloth to symbolize the Washer at the Ford.

Celts

The story of the Celts begins in prehistory, the time before written records were kept. But fortunately we have learned a lot about these tribes who lived all over Europe because of excavations and archeology. And of course, Julius Cesar wrote his view on these people: The Celts, which he called Keltoi. but if we can trust that records remains to be seen...
For a long time I thought that Gaelic was the celtic language. But I have found out that there are more kinds of Celtic languages. Wales, Scotland, Ireland, the Isle of Man, Cornwall and Brittany: they all have their own language.
Early Celtic art expressed itself in gold and silver personal ornaments and such bronze and iron implements as swords and bridle bits. These objects were decorated with engraved designs or raised relief; the distinctive Celtic style emphasized abstract geometric figurations based on circles, spirals, and curved lines.
The cultural expression of the Celts have grown and Gaelic literature, both oral and written, is literature in the Gaelic languages of Ireland and Scotland. Before the development of a distinct Scottish Gaelic language in the 15th century, the literature of both countries may be considered as one. Here I try to give a short but complete overview of Gaelic Literature over the centuries.
The tales of the Mabinogion are not the product of any single hand; evolving over the centuries, passed from storyteller to storyteller, until it was finally put to paper. Its contents draw upon the myths and history of Celtic Britain: four branches of a storyline set largely within the confines of Wales and the otherworld. You can read all 12 books here in the translation of Charlotte Guest.
I have never really been interested in gods and goddesses until I ran into MorrigĂ n during my search for Morgaine on the internet. I bumbed in to her so often, that couldn't have been a coincidence. So here she is: The Morrigan!
A great lady, she must have been. More female power then the Romans probably ever ran into. Boudicca was -as far as I'm concerned- the first feminist in Roman times. Read her story: it was taken from the anales of Tacitus.
The religious leaders of the Celts were the Druids, read about them in Druidism
The earliest known reference to King Arthur is in a Celtic poem about the tribe of the Gododdin. This song is about the fight against the saxons by this tribe. An honest piece of early Celtic literature. Apart from the poem, there's an introduction, some background information about the time and the land as well as about the poet himself.

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