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The Writing Desk

He built it the old way Paid attention to the grain of the wood Ran his hands across the face of each board You can feel what you can’t see He cut each joint with chisel and saw Dovetailed drawers and tenoned rails are best Fit them tight and check them with the fingers You can feel what you can’t see This one would be plain No fancy carvings or ornamentation The beauty would be hidden in the workmanship You can feel what you can’t see Drawers that slide smooth as silk Doors that close with a satisfying click Shellac applied with an ox-hair brush You can feel what you can’t see A thousand people would see it Generations of hands would touch it Maybe only one or two would be touched back If you pay attention You can feel what you can’t see
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